All John Constable Oil Paintings
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John Constable Flatford Mill from a lock on the Stour oil painting


Flatford Mill from a lock on the Stour
Painting ID::  33116 		Artist: John Constable
Painting: Flatford Mill from a lock on the Stour
Introduction: mk82 c.1811 oil on paper laid on canvas 26x35.5
   
   
     

 

 

 
 

 

 

 
John Constable The Valley of the Stour at sunset 31 October1812 oil painting


The Valley of the Stour at sunset 31 October1812
Painting ID::  33117 		Artist: John Constable
Painting: The Valley of the Stour at sunset 31 October1812
Introduction: mk82 oil on canvas 11.7x28.4cm
   
   
     

 

 

 
 

 

 

 
John Constable Autumnal sunset oil painting


Autumnal sunset
Painting ID::  33118 		Artist: John Constable
Painting: Autumnal sunset
Introduction: mk82 c.1812 oil on paper
   
   
     

 

 

 
 

 

 

 
John Constable Landscape study,cottage and rainbow oil painting


Landscape study,cottage and rainbow
Painting ID::  33119 		Artist: John Constable
Painting: Landscape study,cottage and rainbow
Introduction: mk82 c.1808-16
   
   
     

 

 

 
 

 

 

 
John Constable A ploughing scene in Suffolk oil painting


A ploughing scene in Suffolk
Painting ID::  33120 		Artist: John Constable
Painting: A ploughing scene in Suffolk
Introduction: mk82 1814 oil on canvas 50.5x76.5
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | Giorgio Schiavone | Meunier, Constantin | Joos van Craesbeeck | Christoffer Wilhelm Eckersberg | Frederic,lord leighton,p.r.a.,r.w.s |

 

 

 
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